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They just don't write 'em like this anymore

  • Aug. 15th, 2006 at 1:26 PM
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In my Copious Free Time, I've been reading a delightful little volume from 1948, John Read's A Direct Entry to Organic Chemistry. It's a slim book, paperbound, targetted at college students -- and its style, above all else, reminds me of what a liberal education used to mean.

As an example, from the chapter on esters:
Nature comes by her ends in many ways, often to the elfin strains of a harmony so subtle that 'whilst this muddy vestore of decay doth grossly close it in, we cannot hear it'. In her many variations on the esteric theme the ever-changing music soars to the sweet treble of the simple essences, and leading thence through the gay alto of the waxes sinks slowly note by note adown the rich tenor cadence of the hard fats, to swell at last into the full polyesteric diapason with the entry of the deep and melancholy basso profundo of the heavily unsaturated fish oils. Here are subtle variations on a theme which might well bring envy to a Brahms.
Okay, yes, this is one seriously tortured metaphor; I'll bet [info]madbard is pounding his head on his desk right now, trying to get rid of the comparison between fats and tenors or basses and fish oil. But I bring it up not because it's good art, but because it reminds me of a technique we just don't see any more. Mathematicians still get to make lofty comparisons between their work and the liberal arts, and computer scientists often compare hacking to music or painting (hi, Paul Graham), but when was the last time you read a physics essay that invoked parallelism and metaphor?

I miss synthesis in my learning. Maybe it was because I never had much of it, and what little I can recall is precious. I remember the day in my high school physics class when we started learning about power, and I realised that everything we'd done the entire semester was designed to get us to that point: distance leads to velocity leads to acceleration leads to force leads to work leads to power. Okay, that's synthesis within a discipline, not cross-disciplinary, but it's still important.

I've heard rumblings that there is a change underway in the public education system, aiming to reinstate cross-disciplinary learning as a teaching tool. Yesterday, my younger sister started a new job as a P.E. teacher at an elementary school, but she's not just teaching P.E.; her lessons are supposed to include other subjects as well, particularly math and science. If you think about it, P.E. is a great way to teach not only some important human anatomy topics, but some useful basic mathematical concepts and even the scientific method. Suppose you have the kids run for three minutes, then take and record their pulses. Then have them run for three more minutes, lather, rinse, repeat. Congratulations: you have just taught them about linear sequences and introduced the notion of a limit. For that matter, if you talk about what you're going to do beforehand and get the students to hypothesize about what will happen to their heart rates as a consequence of running, and show them how to test that hypothesis, congratulations, you're educating scientists.

Comments

[info]madbard wrote:
Aug. 15th, 2006 08:51 pm (UTC)
(I'm not sure envy is what would be bought to Brahms.)

There's a phenomenon in cog sci called multiple coding. In essence, learning is reinforced when information is simultaneously presented in different contexts. The cross-disciplinary approach is great (when well-done) but I'd never expect public schools to be able to pull it off effectively.
[info]maradydd wrote:
Aug. 15th, 2006 09:11 pm (UTC)
Oh, I'm sure Brahms would be horrified. But I'm impressed that Read knew enough about music to be able to make that kind of comparison at all, and equally impressed at the other fields he draws in for comparisons elsewhere in the book. In the chapter on optical isomers, he invokes Wordsworth, Alice in Wonderland, and agriculture (namely, the way fields are ploughed) in parallel with his descriptions of how Pasteur and Kekule discovered optical isomerism and the three-dimensional structure of molecules. And it just keeps going; he's correlated observations about chemistry with observations from the humanities throughout the entire book, which tells me that his education was deliberately well-rounded so as to enable him to do this at all. And we just don't see much of that these days.
[info]bigby wrote:
Aug. 16th, 2006 04:18 am (UTC)
At the university level I have students look at me like I have gone mad the first time I start drawing on multiple contexts, faculty too. Then my interns tend to end with a better grasp on child development and class management than some of the others.. and enough students have later said they had more theory gell and make sense in their semester with me than in the previous years of lecture. Go fig. All that aside there are those in the faculty that really do not like my methods, lucky for me they are empirical behaviorists and will bow to my demonstrable results.
[info]wealhtheow wrote:
Aug. 15th, 2006 09:14 pm (UTC)
I am currently one-fifth of the way through David Foster Wallace's Infinite Jest, and the whole book is written just like that. That is, both just like the passage you quoted above and as an integrated approach to like life, the universe, and everything. (There's even an introduction to the trivium/quadrivium method of classical, or at least British, education.)
[info]thewronghands wrote:
Aug. 16th, 2006 01:32 am (UTC)
Michio Kaku and Brian Greene both do this in their pop-sci physics writing, though I am fonder of Kaku than I am of Greene. Still, you might enjoy them. [grin] And there's an off chance that East-West Books still has the signed Kaku.
[info]darkwing918 wrote:
Aug. 21st, 2006 05:36 pm (UTC)
Not the best way of doing this
Hey I need your adress so I can send you somthing.